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Preceding the time where samples required clearance and approval to be used in sample-based music, the album is layered heavily with elements providing space and depth to levels of complexity previously unheard. Retrieved October 17, 2011. Creators of the Mastertapes.

Bum Rush The Show and their 4th album Apocalypse 91 to get the 2CD treatment. Archived from on 27 September 2007.



Not to be confused with. Fear of a Blank Planet is the ninth studio album by band and their best selling before 2009's. Released by on 16 April 2007 in the and rest of the , 24 April 2007 in the through , 25 April 2007 in Japan on WHD and 1 May 2007 in by. The promotion of the record included a premiere performance of the songs during the shows in support of the DVD tour between September and November 2006, and a series of listening parties at 's Legacy Studios, and 's during January 2007. Fear of a Blank Planet was followed later the same year by release of the extended play. With the release of , Wilson's debut solo album, Wilson would further develop some of the ideas on which Fear of a Blank Planet is conceived. The album charted in almost all European countries and entered the U. Steven Wilson started writing the album in early 2006, in , while he was recording the second album. The Blackfield album was finished in June so Wilson travelled back to and met the other band members to work on the material he had been writing. These sessions took place between July and August and produced a good number of songs from which just six were picked for the record. Porcupine Tree's first , entitled , was released in August of the same year. The band started a short tour in September to promote it, during which the six new songs selected for the forthcoming album were performed at the first half of the shows. Around the time of the recording, Wilson read an interview in magazine in which 's guitarist had mentioned he was a big fan of Porcupine Tree. Wilson quickly got in touch with Alex to ask him if he would like to play on the album. Alex recorded the solo in his own studio and sent it to Wilson. The album recording process was finished in December of the same year. In January 2007 it was revealed that the album title would be Fear of a Blank Planet. The concept of the album was heavily influenced by ' novel. The novel is told from the perspective of a father, who bears the name of the novel's author himself, whereas the album is mostly from his son's perspective, an eleven-year-old kid named Robby. The lyrics deal with two typical neurobehavioural developmental disorders affecting teenagers in the 21st century: and , and also with other common behaviour tendencies of youth like through , caused by , and a feeling of vacuity—a product of by the. Wilson said the idea was to make an album that could be listened to in one sitting, in contrast to some bands tendency to make very long records that do not maintain the attention of the listener. That's always been the Porcupine Tree way, but we've definitely taken it to the next level. Additionally, there was a third pre-release listening party without the presence of Steven Wilson in the Club Phoenix of later on 14 April, organised by OzProg. A of the album tracks was posted to the band's page and the Fear of a Blank Planet on 21 February. Then on 6 March, the title track was released in the US as a bonus track with , the second album from Wilson's side-project,. On 12 April, the CD came out in parts of Europe four days earlier than intended, and was soon leaked onto the internet. On 18 April 2007, two days after the European release of the album, the band embarked on an extensive tour until the end of the year, with a short break during August and September resuming in October. During the first run of shows, the band played all of the album either in one go, or spread throughout the set. For the second run of shows after the release of Nil Recurring this was stopped. Once again, worked with the band creating a video to accompany the performance of the whole album. Starting in , the tour led the band through many major international music festivals such as the twins and in , the at , the of , and the in their first show ever in this country ; a radio from this performance was recorded and later remastered by the band for a release in March 2009 under the title , given away to members of the Residents of a Blank Planet ticketing club. Support acts included , and across Europe, and for the US. The second leg started in October in. Along 2007, they played 92 dates in total. The tour continued in April 2008, with their first appearance ever in , where they played three consecutive dates from 25 to 27 April in , and respectively. They performed at the on 30 May, the Rocksound Festival of on 6 June, the on 13 June, the in on 21 June and the on 4 July 2008. Shortly after they played for the first time in , on 6 July at the B1 Club of. Thereafter in October the band started a brief European tour, during which a second official DVD was shot. The filming took place along two consecutive shows on 15 and 16 October, in , the , at the 013 venue. This was the final leg for the Fear of a Blank Planet tour and included their first performance ever as headliners in. Steven Wilson live with Porcupine Tree at Arena, Poznan, Poland. The album did well commercially as well. With Fear of a Blank Planet, the band broke the selling mark established by Deadwing, and reached the Top 100 of the for the first time, debuting at 59. The album also entered the at 21, and charted the Top 40 in the UK, Germany, Netherlands, Italy, Finland, Norway, Sweden and Poland. The special edition limited to 10,000 copies was sold out worldwide within the same day of its release. The album has sold 250,000 copies worldwide. This was the second time the band won this award, the first time being in 2005 with. The album also ranked 14 amongst the Top 20 albums of 2007 in webzine. In 2014, readers of voted it the fifth greatest drumming album in the history of progressive rock. In 2015, named Fear of a Blank Planet the 39th best progressive rock album of all time. All tracks written by Steven Wilson, except where noted. This limited edition of 10,000 copies was sold out the day of its release. The vinyl edition has a slightly different track listing, and includes the EP. There is also a special pink vinyl edition limited to 500 copies released on 1 May 2008, to coincide with the band's recent appearance at the Pinkpop festival in the Netherlands. This was originally provided to Dutch record stores only but was made available for purchase from the band's online store for a very limited run from 14 June 2008. The stock lasted less than five days. Archived from on 2007-02-08. Archived from on 28 September 2007. Retrieved 26 June 2007. Archived from on 27 September 2007. Retrieved 19 April 2007. Creators of the Mastertapes. Archived from on 2008-04-08. Creators of the Mastertapes. Archived from on 2008-04-08. Creators of the Mastertapes. Archived from on 2008-04-08. Creators of the Mastertapes. Archived from on 2008-04-08. Creators of the Mastertapes. Archived from on 2008-04-08. Creators of the Mastertapes. Archived from on 2008-04-08. Creators of the Mastertapes. Archived from on 2008-04-08. Archived from on 26 July 2010. Creators of the Mastertapes. Archived from on 2008-04-08. Archived from on 4 June 2008. Retrieved 7 June 2014. Retrieved 7 June 2014. Archived from on 10 February 2008. Archived from on 31 March 2008. Archived from on 2007-05-03. Archived from on 5 May 2007. Archived from on 14 December 2007. Archived from on 8 December 2007. Retrieved 21 August 2015. Archived from on 29 September 2007.

Retrieved October 17, 2011. Archived from on 4 June 2008. Support acts includedand across Europe, and for the US. Looks like a couple of fairly comprehensive el discs with the CDs. The album charted in almost all European countries and entered the U. Its success contributed significantly to the popularity of and political subject matter in hip hop and the genre's mainstream resurgence at the time. Archived from on 5 May 2007. Hiroshima 108 : 132. The recording marked one of the first times in which MCs from different collaborated, and it led to the Bomb Squad working with Ice Cube on his 1990 debut album. On a recent European tour, Chuck D told NME that the song grows stronger as it takes on the historical context of wherever it is played.